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Summer 1945 in Germany. In Nordstrand, a peninsula on the North Sea coast, the British army of occupation has set up its central administration in a carefully cordoned-off base cut off from the mainland. Gesa works in the military base's laundry with other German women. Her fiancé, a former Wehrmacht officer, is being held in the nearby internment camp, on the other side of the sea and the barbed wire. To find Gesa secretly at night in the dunes, Friedrich is not afraid to swim across the inlet. But the young woman falls in love with Simon, a British officer of German origin. She soon decides to tell Friedrich everything, but the dramatic events of that night prevent her from doing so...

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Munich in the 1970s: A group of young people are killing time. Sylvie has broken up with her boyfriend, and a short time later he marries someone else. The slacker Rolf enters Sylvie's life and together they decide to form a circus group with their friends, mostly untalented petty crooks, and move to the provinces.

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Reinhold Schünzel is one of the most sought-after actors and directors of cinema of the Weimar Republic. When the National Socialists come to power in 1933, he just releases his legendary gender comedy “Viktor and Victoria“. Despite his Jewish faith, Schünzel is under the special protection of Hitler and can work unhindered due to a special permit. But Schünzel's days in Germany are also numbered.In his sparkling and pointed artist portrait, director Hans-Christoph Blumenberg tells about the rise and fall of Reinhold Schünzel. The grandiose Peter Fitz mimes a charming, witty and ambitious director. By letting some performers play several roles, Blumenberg cleverly illustrates the recurring conditions with which Reinhold Schünzel faces everywhere. Schünzel's irony, language joke and sophistication in particular congenially transfers Blumenberg to his film.

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